Daniel Keeling
⌘
Daniel Keeling ⌘
BARITONE ⌘ PERFORMING ARTIST ⌘ EDUCATOR ⌘ CREATIVE ⌘
BARITONE ⌘ PERFORMING ARTIST ⌘ EDUCATOR ⌘ CREATIVE ⌘
“Daniel is a fine musician who distinguishes himself as one who possesses solid vocal technique, which is both beautiful and expressive.”
Book of Longing (Philip Glass)
Philip Clark , Gramophone, June 5, 2007 (UK)
“…Daniel Keeling’s bass-baritone singing was majestic.”
Joanne Sydney Lessner, Opera News Online, July 2007
“Keeling was jazzily sexy, especially when he got to roll around in the bottom of his range.”
Joshua Rosenblum, The Post and Courier/Charleston,June 8, 2007
“Daniel Keeling provided electrifying resonance, especially in his lowest register…”
Robert Everett-Green, The Globe and Mail, June 2, 2007 (Canada)
“I always thought of Broadway when bass-baritone Daniel Keeling was at the microphone…”
BK Drinwater, Salient (Wellington, NZ), March 17, 2008
“[Daniel] Keeling’s elegant and understated stage presence anchored much of the concert visually, especially when all four singers were moving around onstage at the same time.”
Oedipus (Harry Partch)
Alex Ross, The New Yorker, April 18, 2005
“Daniel Keeling made Tiresias a mad preacher, with a bit of Ray Charles thrown in.”
The Tender Land (Aaron Copland)
Vivien Schweitzer, The New York Times, January 23, 2007
“…[Grandpa Moss was] tough, old-fashioned and protective…”
Idomeneo (W. A. Mozart)
William Dart, The New Zealand Herald, August 4, 2004